網上流行鋼琴課程

目錄

伴奏/自彈自唱系列

第一至六課-

教你可以伴奏/自彈自唱任何一首你鍾意既歌(免費)

完成課程後,

你會彈到影片中效果 !!

第一課 (免費)

4分鐘幫你打好鋼琴基礎!

第二課 (免費)

零基礎10分鐘學識伴奏!


第三課 (免費)

解答第二課問題系列:

彈CHORD 時D音又短又唔連貫又跳下

第四課 (免費)

解答第二課問題系列:

自彈自唱時,唱同彈都唔岩音

第五課 (免費)

解答第二課問題系列:

份chord 譜見到Cm,C7,Cm7,C11,C13,Csus4,

Cadd9 應該彈咩?


課 (免費)

解答第二課問題系列:

份chord 譜見到C#,Cb,D#,Eb

應該彈咩?

想學更多免費伴奏技巧,立即登記啦,

一有新片即刻EMAIL通知你

第七至三十二課- 教你更好聽,更高級地伴奏/自彈自唱任何

完成課程後,

你會彈到影片中效果 !!

第七課(付費版)

解答第二課問題系列:

彈伴奏既時候好嘈? 好大聲?

第八課(付費版)

解答第二課問題系列:

彈伴奏彈黎彈去都係咁?好悶? (一)

第九課(付費版)

解答第二課問題系列:

彈伴奏彈黎彈去都係咁?好悶? ()

第十課(付費版)

解答第二課問題系列:

彈和弦時琴音唔齊?D聲唔一致?

第十一課(付費版)

解答第二課問題系列:

彈伴奏彈黎彈去都係咁?好悶? (三)

第十二課(付費版)

解答第二課問題系列:

彈伴奏彈黎彈去都係咁?好悶?

(一至)(實例應用)

第十三課(付費版)

解答第二課問題系列:

彈伴奏係咪一定要跟譜彈?同一首歌可以彈其他chord? (一)

第十四課(付費版)

解答第課問題系列:

彈伴奏係咪一定要跟譜彈?同一首歌可以彈其他chord? ()

第十五課(付費版)

解答第二課問題系列:

彈伴奏係咪一定要跟譜彈?同一首歌可以彈其他chord? ()

第十六課(付費版)

解答第二課問題系列:

彈伴奏係咪一定要跟譜彈?同一首歌可以彈其他chord? (一至三)(綜合應用)

第十課(付費版)

解答第二課問題系列:

全新伴奏彈法令聽眾有驚喜印象深刻既感覺()

第十課(付費版)連

解答第二課問題系列:

全新伴奏彈法令聽眾有驚喜印象深刻既感覺(二)

secondary melody

main melody +2 既音 墊main melody底

note : if not work use chord tone


Secondary melody

1.use steping chord.e.g 從1 chord 去 4chord,中間落2同3音

2. 改Rhythm ,密d過 主旋律, 或 某d音主旋律彈 但副旋律唔彈

第十課(付費版)食

解答第二課問題系列:

全新伴奏彈法令聽眾有驚喜印象深刻既感覺()

二十課(付費版)

解答第二課問題系列:

全新伴奏彈法令聽眾有驚喜印象深刻既感覺(一至)

(綜合應用)

第二十一課(付費版)Fill

解答第二課問題系列:

令聽眾覺得你專業"型"既伴奏編曲()

第二十二課(付費版) stop

解答第二課問題系列:

令聽眾覺得你專業"型"既伴奏編曲()

二十三課(付費版) key change

解答第二課問題系列:

令聽眾覺得你專業"型"既伴奏編曲()


第二十課(付費版) intro

解答第二課問題系列:

令聽眾覺得你專業"型"既伴奏編曲()


第二十課(付費版) bridge for speaking

解答第二課問題系列:

令聽眾覺得你專業"型"既伴奏編曲()


第二十課(付費版) outro

解答第二課問題系列:

令聽眾覺得你專業"型"既伴奏編曲()


第二十課(付費版)

解答第二課問題系列:

令聽眾覺得你專業"型"既伴奏編曲(一至六)

(綜合應用)

第二十課(付費版) rhythm 1 for verse

解答第二課問題系列:

如何合適地使用不同伴奏rhythm & pattern (一)

第二十課(付費版) rhythm 2 for bridge

解答第二課問題系列:

如何合適地使用不同伴奏rhythm & pattern ()

十課(付費版) rtyhmn 3 for chorous

解答第二課問題系列:

如何合適地使用不同伴奏rhythm & pattern ()

三十一課(付費版)

解答第二課問題系列:

如何合適地使用不同伴奏rhythm & pattern (綜合應用)

第三十課(付費版)

愛是不保留

(一至三十課)

(綜合應用)

(付費版)

更好聽彈法1: 鋼琴琴鍵 與 和弦

chord progression

c key song

童話 ,可惜不是你 ,蒲公英的約定 ,突然好想你,沒有如果



basic knowledge



major key

1maj 2min 3min 4maj 5maj 6min 7dim


remark: major tritone chord fingering pattern

  1. white white white

e.g C,F,G

2a. white black white

e.g. D,E,A

2b. black white black

e.g. Db,Eb,Ab

3a. white black black

e.g. B

3b black white white

e.g. Bb

4. black black black

e.g. F#


remark: augment tritone = maj tritone 5th up half note

e.g. C maj = CEG , C aug= CEG#


minor key

1min 2dim 3bmaj 4min 5min 6bmaj 7bmaj or 7maj

remark: Minor triton = Major trtone 3rd down half note

e.g C major = CEG ,Cm = CEbG

remark: diminish tritone = minor tritone 5th finger down half note

e.g. C minor = CEbG,

C dim = C Eb Gb


A relative minor to C major key

i.e.

C major: C Dm Em F G Am Bdim

A minor: Am Bdim C Dm Em F G


2-5-1 chord

Minor : 2 dim b5 or 4m/2 - 5 dominant 7 - 1

e.g. Cm key

Dm7b5 or Ddiminsh m7 or Fm/D (DFAbC) - G7 - Cm


Major:

e.g. C key

Dm - G - Cmaj


substitution ***配chord落melody 既原理

(must) condition 1: at least two common chord found in new chord and old chord

(must) condition 2: melody 重音 is the chord tune found in both new chord and old chord

(must) condition 3: basically chord does not have half tone near the melody 重音(每bar 第1拍 or 數拍子叫"1"同"2")

chord finder

condition 4.1:. minor may be replaced by minor 7,9,11,13

or by dominat 7,9,11,13

or by dominat altered chord i.e C key :

C dominant 7 (b5)

i.e. C7♭5: C–E–G♭–B♭


,C dominant 7 (#5),

i.e. C7♯5: C–E–G♯–B♭



C dominant 7 (b9),

i.e. C7♭9: C–E–G–B♭–D♭


C dominat 7 (#9),

i.e C7♯9: C–E–G–B♭–D♯

C dominant 7 (#11),

i.e C-E-G-Bb-F#

C dominant 7(b5b9)

i.e.C7♭5♭9: C–E–G♭–B♭–D♭


C dominant 7(#5#9)

i.e. C7♯5♯9: C–E–G♯–B♭–D♯


C dominant 7(#5b9)

i.e. C7♯5♭9: C–E–G♯–B♭–D♭


C dominant 7(b5#9)

i.e.C7♭5♯9: C–E–G♭–B♭–D♯


C dominant 7(#5#11)

i.e.C7#5♯11: C–E–G#–B♭–D-F#


C dominant 7(b9b13)

i.e.C7♭9b13: C–E–G–B♭–Db-F-Ab


C dominant 13

i.e C-E-G-Bb-D-F-A


C dominant 13 (b9#11)

i.e C-E-G-Bb-Db-F#-A


C dominant 13 (#11)

i.e C-E-G-Bb-D-F#-A


Cmajor13 #11 , no C 13maj 11

i.e C-E-G-B-D-F#-A


condition 4.2 major may be replaced by major 7,9,11,13


e.g. melody 重音 is E , then (Fmaj7 i.e. FACE ) can substitue (F#m7b5 i.e. F#ACE)

e.g. Amin or A min 7 can replace C major

Emin or Emin7 can replace G major

Dmin or Dmin7 can replace F major


e.g major key replaced by minor key

1maj replaced by 1min

2min replaced by 2dim

3min replaced by 3bmaj

4maj replaced by 4min

5maj replaced by 5min

6min replaced by 6bmaj

7dim replaced by 7bmaj


e.g chord 1 replaced by chord 6 and chord 2

-> C major replaced by Am or Em

-> F major replaced by Dm or Am

-> G major replaced by Bdim or Em


e.g. chord 5 replaced by minor fith

-> G major replaced by Db7

--> E major replaced by Bb7


e.g. chord 5 replaced by chord 4/chord 5

-> G replaecd by F/G



triad chord 1# or 3b or 5b or 5# make chord transition smooth

e.g. C - F can be EGC-EG#C- FAC

e.g. F-C can be CFAb - CEG

e.g. Dm - G can DFA# - DGB

reference

---------------------

intro:

1major -7dim -7bmajor- 6minor -2min -3min -4major b3- 5major

e.g. C maj- B dim -Bb maj - A min - D min - Emin - Fmaj b3 - G maj


1maj - 5 major - 4 major - 5 major - 1 major


e.g. C-G-F-G-C

e.g. C-D#-F-G-G#-A#-C



------------------------

verse

1maj to 6min to 4maj to 5maj

e.g. C maj to Amin to Fmaj to G maj


1maj to 3min to 6min to 4maj

e.g. C maj to Emin to Amin to Fmaj


circle of fifth (1)

circle of fifth 逆時針走

e.g. Dmaj - Gmaj - Cmaj - Fmaj


circle of fifth (2)

circle of fifth 在key 自然chord裹逆時針走

e.g. C key : Cmaj - F maj - B dim - Emin - Amin - Dmin - Gmaj - C maj

reference song


circle of fifth (3)

Pattern 1 --to major => (2m7- 5(dominant 7)- 1major7 ) e.g Dm7-G7-C)


Pattern 2 -- To minor =>( 2 diminsh or 2m7b5 - 5 dominant 7 - 1minor7) e.g. Bm7b5-E7-Am) or

=>(2m7- dominant 7-1m) e.g. Bm7-E7-Am7


pattern 3a --to minor7b5 =>(2major7 - 5 major 7- 1m7b5) e.g. Cmaj7 - F maj7 - Bm7b5

---------------------

chorus

  • 1major to 6min to 4 maj to 5maj

e.g. C maj to Amin to Fmaj to Gmaj

e.g C maj to F maj to Bdim to Emaj to A maj to D maj to Gmaj to C maj


  • 4maj to 5 maj to 3min to 6min

e.g. Fmaj to Gmaj to Emin to Amin


4536 substitution

**4536251 由4-3-2-1 延伸出來**

C key:

Fmaj7 - G7 - Em7 - Am7 - Dm7 - G7 - Cmaj7

or

Fmaj 13 - G11(b9) - Em7(b5) - A7(#5) - Dm11 - G13 -

C maj9

or

F#m7(b5) - B7 - Em9 - Ebmaj7 - D7 - Db9 - Cmaj13


4536251

**4-(5)-3-(6)-2-(5)-1 由4-3-2-1 延伸出來,5,6 chord 可以係optional**

e.g. 436251

e.g. 43251

e.g. 45321



  • 6min to 4major to 5maj to 1maj

e.g. Amin to Fmaj to Gmaj to Cmaj


  • 1maj to 4 maj to 2min to 5maj to 3min to 6min to 4maj to 5maj to 1maj

e.g. C maj to F maj to Dmin to Gmaj to Emin to Amin to Fmaj to Gmaj to C maj


  • 1maj to 5maj to 6 min to 3min to 4maj to 1maj to 4maj to 5maj

e.g. C maj to Gmaj to Amin to Emin to Fmaj to Cmaj to Fmaj to Gmaj


  • 1maj to 5maj/7 to 6min to 5maj to 4maj to 3min to 4maj to 5maj

e.g. Cmaj to Gmaj/B to Amin to Gmaj to Fmaj to Emin to Fmaj to Gmaj

  • 6m-5-4 to 6m-5m-(1dominant 7)-4

e.g. Am-G-F to Am-Gm-(C7)-F

  • 5-1 to 5m-(1 dominant 7)-1

e.g. G-C to Gm-(C7)-C

  • 4-5-3m-6m-2m-5 to 4#dim7-4-3m-6m-1#dim7-2m-5

e.g. F-G-Em-Am-Dm-G to F#dim7-F-Em-Am-C#dim7-Dm-G

  • 1-5-6m-1-7dim7b5-3m-6m

e.g. C-G-Am-C-Bdim7b5-Em-Am

  • 1-5-5#dim7-6m

e.g.C-G-G#dim7-Am

ending

4major to 5major to 1 major

e.g. F maj to G maj to C maj


2min to 5 to 1maj

e.g. Dmin to G7 to C maj


Dm7 to Fm/G to Cmaj 7


Dm7 to G7 to Cmaj7 to Dbmaj7 to Eb maj7 to Fmaj7


Dm7 to G7 to Cmaj7 to Ebmaj7 to F13 to Gmaj7


C key:

repeat ending

e.g. F-G-Am-G-D/F#(F#ADA)


C key:

start over

e.g. F - | G - Gaug | C





二十課(付費版)

轉調


reference

A. chord progression

1.chord progression target to new key chord 5 then chord 1

skill 1a - from major key to new major key:

chord progression target to new key chord 5 then chord 1


e.g C major key to F major key

CSus4 maj to C maj to Fmaj


e.g. C major key to G major key

Csus4 maj to C maj to D sus4 maj to D maj to Gmaj


advanced 1a - from major key to new major key:

use common major chord from both two old&new - major and minor key to target and arrive at new major key chord 5 then chord 1


e.g. G major key to F major key

G major key chord:

G Am Bm C D Em F#dim

G minor key chord:

Gm Adim Bb Cm Dm Eb F


F major key chord:

F Gm Am Bb C Dm Edim

F minor key chord :

Fm Gdim Ab Bbm Cm Db Eb

A to D to G to |F to Eb | Db to C to F

skill 1b - from major key to new major key:

chord progression target to new key chord4/chord5 to chord 5 to chord 1


e.g. C maj key to D maj key

F to G to C to F/G to G | to G/A to A to D


e.g C maj key to Eb maj key

F to G to C to F/G to G| to Ab/Bb to Bb to Eb


e.g. C maj key to B major key

F to G to C to F/G to G| to E/F# to F# to B


skill 1c: from minor key interchange major key:


e.g. C maj key to C minor key : use common chord Gmaj

C maj : F-G-Em-Am -> G maj ->

Cminor key: Cm-Ab-Eb-Bb


e.g. Cm to Cmaj key :

use common power chord C

Cminor key: Cm-Ab-Eb-Bb ->

C power chord i.e. CG

C maj : F-G-Em-Am


2.chord prgression target to new key chord 1

skill 2 - from major/minor key to major/minor key

direct go to new chord 1-> can change to major key or minor key

reference song: 不死傳說-鋼之鍊金術師

e.g. C to Cm to C (*always use in bridging/ prechorous

F to G to C (power octive chord) |to Ab to Bb to Gm to Cm to Ab

|to G or to Bb then C

e.g. C to A

F to G to A (power octive chord) to A


e.g. C to Am

F to G to A(power octive chord) to Am


3.special chord progression

skill 3a - from major 1 key to major 6 key

old key major chord 4 to major key chord 5 to major key chord 3 to new key major chord 1(i.e. old key major chord 6 或 old key major chord 1 (**即唔轉key ,純做變化)


e.g.Fmaj to Gmaj to Emajor to A major key or to C major key



skill 3b - from major 1 key to major 3 or 5 key

old key major chord 1 to old key major chord 2 to old key major chord 7 to

| new key major chord 1 (i.e. old key major chord 3 或 old key major chord 5)

reference song: 不死傳說-鋼之鍊金術師

e.g. C major to D major to B major to E major key or to G major key

skill 3c - from major 1 key to major 7 key or minor 7 key:

reference song: 不死傳說-鋼之鍊金術師

old key 3min to 3 maj to 5 min to new key 6 min (for change to minor key) or to new key 6 maj (for change to major key)

e.g. C maj to B maj

Emin to Emaj to Gmin|to G# maj

e.g. C maj to B maj

Emin to Emaj to Gmin |to G# min


4. 15 /14/145 +4/5 - 5 to new key 4/5 - 5 pattern

skill1. 145 + 4/5-5 new 4/5-5 pattern

e.g C key to D key

C-F-G-C- F/G-G-G/A-A - D


e.g. C key to D# key

C-F-G-C- F/G-G-Ab/Bb-Bb -Eb


skill 2. 14 + 4/5-5 new 4/5-5 pattern

remark:14 between 14 can be 2 interval diff or 2 scale note diff

e.g. C key to Eb key

C - F | Bb - Eb |Ab | Ab/Bb - Bb| G


skill 3. 15 + 4/5-5 new 4/5-5 pattern

remark:15 between 15 can be 2 interval diff or 2 scale note diff

e.g.C key to F key

C-G|Bb -F|Bb|Bb/C-C|F


skill 4. 145 + 4/5-5 new 4/5-5 pattern

remark:145 between 145 can be 2 interval diff or 2 scale note diff

e.g.C key to F key

C-F-G|Bb -Eb-F|Bb|Bb/C-C|F



B. melody arrangement

1.use common note between two key scale to be the bridging melody

skill 1 - from major 1 key to major 3 key

e.g. C key to Eb key

old key major chord 4 to old key major chord 5 to old key major chord 1 to

| new key major chord 4 to major chord 5 to minor chord 3 to minor chord 6 to maj chord 4 to maj chord 5 to maj chord 1|

reference song:不敵,美麗之最,lydia


e.g. C key to E key

F maj to G maj to| G#maj to A#maj to Gmin to C min to G#maj to A#maj to Cmin|

common note : C D G




interest

簡單和弦左右手練習

chord detection software: moises,chordai.net, wk6600 user manual. miss ga


Chord change ,paddle change


pedal
(1 ) press and find start point and end point
(2) play before press by leg
(3) train (1) and (2) with different depth

搵首你鐘意既歌黎自彈自唱啦!

我的歌庫


horrible atmosphere:

repeat :Cm and Ebm(EbGbBb) or Am and Fm to create horrible atmosphere

advanced progression:

Cm - Ebm - Bmaj - Cm

or Cm - Ebm -Bm - Dm - Bbm -Bm -Bbm - Bm - (chormatic dcending C-B-Bb-A-Ab-G-Gb-Ab-G)


Sadness atmosphere:

repeat: Fmaj7 and Cmaj7



jazz atmosphere"

chord progression:Fmaj7-Em7-Dm7-Cmaj7

melody: D-D#-E, A-A#-B,G-F#-F-E-,D-C#-C-B

M park

-Broken chord

左手上 then 右手下



Dominant 7

E.g c key

右手CEGBb

用卜於 拍子

1xn 2xn 3xn 4xn

既repeat 1,4,5 chord (blues style)


見1chord 或 4 chord 用 add 9或sus 2 , 見 1 chord 或 4 chird maj 7 用 major 9

E.g C key add 9

右手 CDEG


Sus2 CDG


Major 9

右 手BDEG


見 5 chord dominant 7 到 1 chord, 或 入chorros 前 既 5 chord ,可用 4 chord base on 5 chord + 5 chord

E.g G7 to C, use F/G to G to C

即 左手 G 右手 FAC to 左手G 右手 GBD




左手inversion

E.g. c key C/E

左手bass note E

右手 CEG


Intro /outro/ bridge melody creation

E.g C maj 7 chord - CEGB

Chord tune

C,E,G,B


Guide tune

E,G


Non chord tune

D,F


*Intro,outro,bridge solo> Non chord tune resolve to chordtune (prefer guide tune)


*Fill in => start non chord tune (246)or guide tune (3,7)then scale


Jam 歌 chord progression repeat chord 1 and 5

C F G Bb F G C



鋼琴拍子pattern參考鼓 bass 左手, snare 右手


選音

1,4, use add9 or maj7

5 chord use add 9

2m,3m,6m use m7

*第三拍 時 右手彈裝飾音但除去root note




1去1dominant 7 去4chord

C 去 C7去 F


V7 跟住去 1 chord

E.g. G7 跟住去 C


Broken chord 拍子


Intro,bridge,ending chord progression



Intro

1a) music park progression

見, 1n2 停3n4停

1b) music park progression 十 2,4,6音 resolve to 3,7音melody


2a) 尾句chord progression+

V chord +( V sus2

Eg Ckey 高音位 GAD )

2b) 尾句十重音係部份melody 其他係 2,4,6音 resolve to 3,7


Verse (右手 可 處於中音C 區以上,做fill in 或第3拍落不連貫inversion) chord

拍子

彈1拍 (1停停停).

broken chord (停n4n)


1停2停停停4停


*報 bass drum =左手+右手 snare =右手

*Broken chord =2chord 及 7chord 不要用15123 ,改用15135


Prechorous

比verse 加 多d broken chord 音


Build up


E.g

當C Key 見 C C7 去 F,可用

C Bb/C C Bb/C C 去F


當C key prechorous ending 係G,可用

G 去 F/G 去G去F/G 去G



1n2n3n

高至底掃琴(4n)



Chorous (連貫音 中音c 或以下)

拍子

(1左右)(2右3右4右)(n左左尾指bass note


(1左右)(2右3右4右)(4 n右)(a左尾指bass note)


(1左右)(2右3右4右)(n左)(4右)(n左尾指bass note)


(1左右)(2右3右4右)(a左)(4右)(n左尾指bass note)


選音

1,4, use add9 or maj7

5 chord use add 9

2m,3m,6m use m7

*第三拍 時 右手彈裝飾音但除去root note ,選音用2,4 resolve to 第4拍chord tune


V7b9 應用





Bridge

4536251

Canon progression

E.g C key (美麗之最,lydia)

Ab Bb GmCm Fm Dm7b5 G




Outro

Db9=DbEbFAb C F


*Ending chord , the last C can be replaced by C6/9 = ADEG

E.g 美麗之最 Fm 去 C/9


F#m7b5 = F#ACEA

Db9=DbEbFAb C F



左手color chord arrangement 1

1575

1573


左手color chord arrangement 2

15253

1525351

1525

1523


good rthyme:

e.g shall we talk use 1n停n ,2n停n, 3n停n, 4n停n


intro creation:


  1. use 1st sentense first ,then use 1st rthyme to compose

  2. repeat 1st sentense

note: chord progression before end of intro often is 451 chord or 251 chord

lr MUSIC FOR JAZZ

jazz rthyme

***normal rtyhme 1n2n3n4n becomes -->jazz rthyme: 1__ __ n __ __ __ __ |__ n __ __ __ __ ___ __

***normal rtyhme 1n2n3n4n becomes -->jazz rthyme: 1 n __ __ __ __ __ __ | __ n __ ___ 3 __ __ ___

***normal rtyhme 1n2n3n4n becomes -->jazz rthyme: __ __ 2 __ __ __ __ n | __ ___ 2 n __ __ __ ___

***normal rtyhme 1n2n3n4n becomes -->jazz rthyme: 1 n __ n __ __ __ __ | 1 n __ n __ __ __ __




****彈既時侯要漸大同漸細聲

FOUR WAYS TO REHARMONIZE SONG CHORD

Step A: choose chord

1) find out exist 2,5,1 chord progression in the song,

e.g C majer key: Dm7 to G7 to C maj 7 ,

e.g. C minor Key :Dm7b5 to Gm7b9b13 to Cm7 ,

e,g C dominant key: Dm7 to Gm7 to C7

a) use tritone substitution to replace 5 dominant 7 chord e.g. G7 to C -> Db7 to C (can use even half tone collide with melody)

e.g C key: Fmaj7 - G11 - Em7 - A7 becomes Fmaj7 - Db9(#11) - Em7 - Eb13

or


b) 2nd dominant to replace 5 minor chord or 5 major chord e.g.Cm to F -> C7 to F,Em to A -> E7 A, or


c) use both a) and b) e.g Dm7 to G7 to C-> D7 to G7 to C -> Ab7 to Db7 to C


d) diminsh 7 substitution to replace 5 dominat 7 chord e.g. G7 to C -> Gdim7 to C


+ 食音+ chord no half tone collision except tritone substitution

--------------------------------------------------------------------------------------

2) use different key 251, 2525 chord to + 食音+ chord no half tone collision except tritone substitution e.g.

replace exist chord progression


-------------------------------------------------------------------------------------

3)

substitution ***配chord落melody 既原理

(must) condition 1: at least two common chord found in new chord and old chord

(must) condition 2: melody 重音 is the chord tune found in both new chord and old chord

(must) condition 3: basically chord does not have half tone near the melody 重音(每bar 第1拍 or 數拍子叫"1"同"2")

e.g 1chord replaced by 6 chord or 3 chord. i,e. Am7 replace C or Em replace Cmaj7

e.g minor replace major i.e Cm replace C


reference

------------------------------------------------------------------------------------

4) special case

when 4 chord to 4m or 5 chord, 4m or 5 chord can be replaced by 4m(maj7)

e.g F to Fm -> F to Fm(maj7)

e.g, F to G-> F to Fm(maj7)

-----------------------------------------------------------------------------------

5)model interchange

application reference

e.g. C key: (ionian mode) 1-5-6-4 to (aeolian mode) 4

C-G-Am-F to Fm


e.g C key: G7 or Gm7 replaced by Bb7

F7 repalced by Ebm7


chord (I-IV-VI-V)-major ionlian mode 4,6m chord i.e. Fmaj7,Am7 借 phyrian mode 4m,6bmaj7 chord i.e Fm7 and Abmaj7

e.g. Cmaj key:Cmaj7-Fmaj7-Am7 -G7 becomes Cmaj7 - Fm7 - Abmaj7 - G7

ref


minor aeolion mode 4 minor chord i.e. Fm 借 dorian mode 4 maj chord i.e. F

e.g Cm key:Cm - Fm becomes Cm - F - Cm -F

eg. Cm key:Cm - Fm becomes Cm- F - Fm

ref


use in cadence :major ionlian mode 2m - 5 dominant or 4maj to locrian mode 2 - 5 to major ionlian mode 1 maj or 4 maj

e.g.C major key: Dm7 - G7 - C becomes Dm - G - Dbmaj7 - Gbmaj7 - C

C major key: Dm7 - G7 - C becomes Dm - G - Dbmaj7 - Gbmaj7 - Fmaj


use in cadence : minor aeolian mode 4 minor chord Fm to

to locrian mode 2 - 5 to minor aeolian mode 1minor or 4 minor

e.g.Cm key: Dm7b5 - Gm7 - Cm becomes Dm7b5 - Gm7 - Dbmaj7 - Gbmaj7 - Cm

e.g.Cm key: Dm7b5 - Gm7 - Cm becomes Dm7b5 - Gm7 - Dbmaj7 - Gbmaj7 - Fm

ref

--------------------------------------------------------------------------------

=============================================

Step B: Choose Voicing:

左手彈1,7 or 1 or 1,9,右手彈左手無既音(9 replace 1, 13 replace 9) i.e. 3,7 or 3,5 or 3,9,3 or 3,7,3


For Cmaj 7

左手彈1 ,右手彈7,3 then 左手彈4 ,右手彈6

==============================================

Step C: LEAD arrangment

第一拍重音雙手彈哂, 第三拍右手頂音落其中chord 音,

第4拍右手落stepping note (can be chord tone, can be scale note ) lead to next chord 3 音 or chord頂音


獨奏系列

第一至三課- 教你可以獨奏一首你喜歡既歌(免費)

完成課程後,

你會彈到影片中效果 !!

第一課 (免費)

課 (免費)


課 (免費)


想學更多免費伴奏技巧,立即登記啦,

一有新片即刻EMAIL通知你

第四至十七課- 教你可以獨奏全部你喜歡既歌

完成課程後,

你會彈到影片中效果 !!

課 (付費版)

Melody 同 chord 關係, melody 會係 chord 音